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One of the greatest legacies of David and Carmen Kreeger is the museum that bears their name. In 1959, the Kreeger began to amass a formidable collection of modern art. For the next fifteen years they assembled most of the museum's holdings. The collection the museum reflects the spirit of their collectors. It is important to note that the collection represents a shared vision. They both agreed on every piece in the museum. Their approach to collecting was a personal one. As David Kreeger said "I never bought art as an investment, I bought it for love and I was lucky. Art that embodies the creative spirit of men transcends the value of money." At first glance the collection may seem eclectic, but the astute viewer will note that the unifying elements are color and texture. There is also a musical quality to many of the works. The building also has a symphonic cadence that enhances the collection without overpowering it. The Museum (1967) is a contemporary building that has a timeless quality. American architect Philip Johnson, with Richard Foster, accomplished this by making obvious references to the past and combining those with a modernist vocabulary. |
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